• About WordPress
    • WordPress.org
    • Documentation
    • Support
    • Feedback
  • Log In
  • SSL 8
  • Skip to main content
  • Skip to primary sidebar
  • Home
  • About
    • Jeanie LoVetri Bio
    • Benefits
    • Origins of Somatic Voicework™
    • Testimonials
    • Core Principles
    • Strategies
  • News
    • Articles
  • Workshops
  • Institute
  • Photos
  • Join Us!
  • Members
    • Login
    • Edit Profile
    • SVWTA Member Directory
    • Archives
    • Members’ Links
    • Add Listing
    • Teacher Locator Help
  • Find a Teacher
  • Contact

Somatic Voicework™ The LoVetri Method Teachers' Association

The LoVetri Institute for Somatic Voicework™

Functional versus Pedagogical versus "Making It Up"

October 9, 2010 By Jeannette LoVetri

We need to clarify the difference between terms that are used in various parts of the professions that deal with voice.

These are my “takes” on things. Check into these and draw your own conclusions.

Vocal folds are the medical name of the ligaments that vibrate in the larynx to make sound. Vocal cords is the term still used (but fading) in the teaching (pedagogic) community.

The larynx is a cartilage and a joint. This is a medical term used in the other professions. In lay terms the larynx is sometimes called the “voice box”.

The term “falsetto” is a pedagogic term to describe a particular kind of sound. The behavior of the vocal folds in this sound is generally referred to as “loft” in voice science and is caused by the vocal folds touching loosely. If you define falsetto as a production that has little vocal fold contact at the bottom of the folds and acoustically has most of its energy in the fundamental (Fo), then everybody can produce it.

The term head register, as well as the terms head resonance, head tone, head mechanism, light mechanism and upper register are all pedagogic terms. They refer to a sound produced by the Crico Thryoid action upon the vocal folds that stretches and thins them to raise pitch by increasing length and tension, thereby causing only the upper edges of the folds to meet. This could be called CT behavior.

The term chest register, as well as the terms chest resonance, chest tone, chest mechanism, heavy mechanism, and lower register, are all pedagogic terms. They refer to the sound produced by the main body of the vocal fold (the vocalis) that brings the full depth of the fold into closure for vibration. This could be called TA behavior.

The terms breath support and breath management are pedagogic terms. The voice science term is sub-glottic pressure but also references trans-glottal airflow. Medicine uses both.

The term for changes in volume in music is dynamics, in pedagogy is intensity and in science is decibel level or sound pressure level.

In physics, resonance is the tendency of a system (usually a linear system) to oscillate with larger amplitude at some frequencies than at others. In pedagogy, it means different things to different people.

People “discover” things as they sing. They teach what they “discover” to others who are supposed to “understand” what the teacher means. If the teacher has not run these discoveries by any scientist or doctor, the teacher doesn’t really know if his or her conclusions are meaningful or valid. That does not, however, stop most of them from dealing with the information as they understand it as if it were “true”.

Singing teachers like to make up terms (truthfully, everyone does it, in all the professions). This is not helpful to anyone. If everyone would make an attempt to stick to the terms that are already out there (by first finding out what they are), and trying to use them or comment upon why the usage should change, instead of coming up with a new word for “wheel”, everyone would benefit.

If you are teaching and you make up something and then give what you have made up names or create a term for it, PLEASE STOP!!!!!!! Find out what the words are that already exist, and why they exist, that are standard lexicon in whatever profession you are in and/or the other related professions and use those words.

Filed Under: Jeanie's Blog, Uncategorized

Primary Sidebar

Video: Jeanie LoVetri Sings in Various Styles



Click here for More Videos and Comments.

Authentic “Crossover” Singing: Maria Damore, Rachel Williams

https://vimeo.com/780734282?loop=0

Testimonials

  • Somatic Voicework™ Testimonials
    “I have worked with Jeanie LoVetri and Somatic Voicework™ for twenty years and have found her method to be incredibly efficient and scientifically sound. I have been able to consciously work on technique while continuing to develop my artistry and my personal style. I credit Jeannie with the freedom I feel when I sing.” Luciana Souza, ...
More

SOMATIC VOICEWORK™ TEACHERS

Somatic Voicework™ teachers believe that the body and the voice are not limited and that it is possible to train anyone who wishes to sing in a variety of styles in a healthy and responsible manner. They are caring, excellence-driven, live in the USA and 10 foreign countries, and have varied backgrounds in:

Jazz ~ Musical Theatre ~ Pop/Rock ~ Classical ~ Gospel ~ Choral ~ World Music

Many hold masters and doctoral degrees and are in positions of responsibility in the National Association of Teachers of Singing (NATS) at local, state, and regional levels.

Many are heads of departments in voice at universities and conservatories, published authors of books, research papers and pedagogy articles in voice and music journals.

Many are acknowledged professionally as singers, having performed in major venues in all styles of music all over the world.

Find a Somatic Voicework™ teacher today!

Copyright © 2023 · Somatic Voicework· Log in

Change Location
Find awesome listings near you!