Somatic Voicework™ The LoVetri Method is an organized method of vocal training for Contemporary Commercial Music (CCM) styles, (those styles that used to be called “non-classical) based upon somatic (physical) awareness and aural discernment. The training is presented in three Levels that must be done in sequence.
The LoVetri Institute in partnership with Baldwin Wallace University Community Arts School
Level I: January 15 – 17, 2022
Registration Deadline: January 9, 2022
U.S. participants: register by December 15, 2021 to receive your book prior to the course.
International participants: register as soon as possible; we will begin sending books mid-October. Due to international mail constraints, we will send the book early.
A physical copy of the Level I Somatic Voicework™ course book will be automatically added to your registration at $25.00. The course book is required for all new participants and those who have a previous version of the book (printed prior to 2018).
An electronic, non-downloadable, version of the course book will also be available to all participants on Google Classroom during the course.
Vocal Function As The Answer To Vocal Expression and Excellence
Jeannette LoVetri, Founder
Jeannette LoVetri is founder and director of The Voice Workshop™, creator of Somatic Voicework™ and creator of the original course for Contemporary Commercial Music Vocal Pedagogy, which for 13 years garnered over 1200 participants from all over the USA and 12 foreign countries.The work is unique, practical and based on voice science, vocal health and vocal function. It has received rave reviews from vocal experts in every discipline and has had a significant influence on vocal pedagogy worldwide.
Betsy Fiedler, Senior Faculty, Leominster, MA
Elizabeth “Betsy” Fiedler teaches music in her own private studio, and is the Director of Music at Holy Family of Nazareth Church. In addition, she is an adjunct faculty member at Mount Wachusett Community College, the Vocal Performing Arts Instructor for the Arts Magnet at Burncoat High School, and is a soloist at local churches, colleges, and with the Greater Gardner Community Choir. Betsy enjoys performing on the stage at Theatre at the Mount and Greater Worcester Opera Company, and sings at local nursing homes. She has recorded 3 CDs of contemporary Christian Music. Her enthusiasm for music spills over into her teaching style and is evident in her performances. She has interest in many types of music from classical and sacred, to music theatre and jazz. Her love of learning has compelled her to seek out additional professional development and course work with the motivation of becoming the best teacher and singer possible. She holds a BS and MM in Music Education, and has completed coursework in Vocal Pedagogy. Betsy is certified in Levels I, II, III of Somatic Voicework ™ the LoVetri Method, and is a member of the National Association of Teachers of Singing, National Pastoral Musicians, and National Association for Music Education. http://betsyfiedler.com
Michelle Rosen, Senior Faculty, New York, NY
Michelle Rosen teaches musical theatre majors at Tisch School of Drama, New York University and is in demand as a private teacher in her Brooklyn, N.Y. She was assistant professor at Westminster College of the Arts for eight years and was the senior voice teacher at the Grammy-winning Brooklyn Youth Chorus for fifteen years, studio. Michelle holds a master’s degree in vocal performance from NYU and received the Distinguished Voice Professional certificate from the New York Singing Teachers’ Association. Certified in Somatic Voicework™ The LoVetri Method since 2005, she joined the CCM Vocal Pedagogy Institute faculty in 2012. Michelle has enjoyed a performing career in musical theatre and opera and has sung folk music and with a rock band. Professional credits include various settings of “The Phantom of the Opera,” most notably playing Christine in the Lloyd Webber Phantom in Germany. Other credits include Aldonza in Man of La Mancha, Rosabella in The Most Happy Fella, Carrie in Carousel, Jeanie in The Stephen Foster Story, as well as leading roles in such operas as The Medium and Dialogues of the Carmelites. She has appeared in Europe, in New York venues, in regional theatres
Amanda Chmela, Faculty, Long Island, NY
Amanda Chmela received her BFA in Musical Theatre from SUNY Fredonia and her MM in Opera Performance from Binghamton University. She is a member of NATS, NYSTA, NAfME, The Voice Foundation, and is Certified in Somatic Voicework™, The LoVetri Method. Ms. Chmela is on the voice faculty at LIU C.W. Post within their Fine and Performing Arts Department and served on voice faculty at Rider University from 2014-2018. She also maintains a private voice studio on Long Island where she specializes in teaching Contemporary Commercial Music with a strong focus on musical theatre and pop/rock styles.
Ms. Chmela has participated in the Westchester Summer Vocal Institute and is an alumnus of Tri-Cities Opera’s Resident Artist Training Program. She has been the female vocalist for the Savoy Swing Band since August of 2013. Performance highlights include Lucille in Parade, Anne in A Little Night Music, Nancy in Oliver, Gretel in Hansel and Gretel, Josephine in H.M.S Pinafore, Beth in Little Women, Hodel/Fruma Sarah in Fiddler on the Roof, Alice in Addam’s Family, Mrs. Cratchit in A Christmas Carol, Despina in CosÌ fan tutte, Barbarina in Le nozze di Figaro, Laetitia & Ms. Pinkerton in The Old Maid and the Thief, Fire Cover/Chorus in L’enfant et les sortilege, and Poppea in L’incoronazione di Poppea.
www.amandachmela.com www.longislandvoicelessons.com
[Read More…] about Meet the 2021 LoVetri Institute for Somatic Voicework™ Faculty
“I have worked with Jeanie LoVetri and Somatic Voicework™ for twenty years and have found her method to be incredibly efficient and scientifically sound. I have been able to consciously work on technique while continuing to develop my artistry and my personal style. I credit Jeannie with the freedom I feel when I sing.”
Luciana Souza, Grammy Award winning singer and songwriter.
“As a working jazz singer, I have been hired to sing with a tap dancing troupe one week and the next week sing soprano in a jazz opera. The LoVetri Method of Somatic Voicework™ has been an invaluable resource in the functional development of my instrument and has helped me steadily increase the power, clarity and nuance of my voice. No jargon, just nuts bolts information on how the voice works. Get there and thank me later! “
Kate McGarry
Grammy Nominee
Faculty, Manhattan School of Music
State Dept.Jazz Ambassador 2009 -2011
Downbeat Critics Poll Winner Rising Female Vocalist 2016
“I have studied with Jeanie LoVetri and taken Somatic Voicework™ courses and continuing education workshops for over ten years. As an artist, vocalist and educator, I can say without hesitation that her work has immeasurably changed my life, my singing, my teaching and my perspective on artistry. Jeanie and the work are incredible!”
Lisa Thorson
Jazz Vocalist, Composer, Arranger, Lyricist
Professor of Voice, Berklee College of Music, Boston MA
www.lisathorson.com
“Studying Somatic Voicework™ with Jeanie LoVetri has changed my life as a singer and a singing teacher. At my first SVW™ workshop, I felt as though a window had been thrown open, and suddenly I could see my way to finding the “something” I’d long felt was missing. The depth and breadth of Jeanie’s knowledge are unassailable, and she passes that knowledge along with the utmost humanity. I have just one regret, which is that I didn’t start working with her sooner.”
Andrea Wolper, New York
Jazz Vocalist, Songwriter, Teacher
www.andreawolper.com
“As someone with background in classical (Juilliard, BM, MM) as well as Level III The Lovetri Method, Somatic Voicework, and a 20 year career as a jazz singer, I can attest to the great benefits of understanding the function based technique that Jeanie teaches for Contemporary Commercial Music. This technique has given me the tools to sing and teach authentically in the jazz world, and I would highly recommend making the investment of time and energy in SV if you’re serious about a career in jazz or any other form of CCM.”
Rondi Charleston
Jazz Singer/Songwriter
www.rondicharleston.com
“Jeanie LoVetri’s Somatic Voicework™ has given me the tools to navigate between different styles and extended vocal techniques, and taught me how to teach with clarity and understanding of the human voice. Her approach is clear, concise, empathetic and invaluable for any jazz singer today. “
Theo Bleckmann
Grammy™ nominated singer, composer and arranger.
Professor of Jazz Voice at Manhattan School of Music.
“Jeanie LoVetri’s groundbreaking training methods put the singer’s actual voice and what she or he wants to achieve front and center. Her sincere belief that you can make any sound you want in a healthy way is guided by over four decades of research and experience teaching singers of all styles. Ms. LoVetri welcomed me into the world of voice pedagogy and showed me how to develop my voice to realize my dreams as a singer. It has literally taken me around the world and introduced me to so many wonderful people, and I am forever grateful.
Blues, R&B, Jazz and Gospel singers beware, Dr. Trineice Robinson-Martin is joining Jeanie LoVetri this year at Baldwin Wallace University in Ohio to teach you how to make a soulful sound with optimal flexibility and freedom in your voice. Dr. Robinson-Martin wrote the book, “So You Want to Sing Gospel,” and received her doctorate from Columbia University’s Teachers College for her thesis on Gospel Voice Pedagogy. She brings a lifetime of experience singing all styles of African American music including Blues, Jazz, Gospel and R&B and has emerged from the Academy with a unique combination of skills to support the demands of singing African American styles including scoops, hollers, gravely sounds, shouting and whispering.
Run, don’t walk, to the Lovetri Institute for Somatic Voicework™ to study with Jeanie LoVetri and Dr. Trineice Robinson-Martin and the other talented and generous faculty. You will be transformed.”
Eli Yamin
Composer, pianist, singer
Author of So You Want to Sing Blues
Co-founder of Jazz Power Initiative, a non-profit organization transforming lives through jazz arts education.
Teachers share their testimonials on Youtube:
