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The LoVetri Institute

Somatic Voicework™ The LoVetri Method

Jeannette LoVetri

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  • Jeannette LoVetri

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"I Know What’s Best"

I recently saw a master class in which a famous classical teacher was working with a young mezzo soprano. This man has doctoral degree and...
February 6, 2013
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City Mouse/Country Mouse

Who you teach, where you teach, what you teach and how you view teaching is important. It makes up your world experience, your point of...
February 6, 2013
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Where The Jobs Are

Non-classical styles. That term existed since the get-go until 2000 when I called for its end. The new term I suggested, Contemporary Commercial Music, was...
January 23, 2013
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Letting Go Of Training

What happens if you spend thousands of dollars and many years or decades training your voice only to discover that the training process you have...
January 22, 2013
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"For the Good of the Profession"

Sometimes I wonder if the people involved in running the professional organizations think about the good of the profession over the long haul. It has...
January 16, 2013
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The Terminology Police

“Open it up in the back, dear. Spread the bones in the back of your head.” “Spin the tone down from the top. Don’t grip...
January 14, 2013
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Armchair Critics

People who watch anything as fans have lots of opinions. Football, hockey, fashion design, architecture, movies, TV, theater, music, singing. If you find a fan,...
January 12, 2013
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Everything Is The Same, Everything Is Different

Those of you who follow this blog regularly understand that I see voice as an aspect of spirituality. You know that I see the totality...
January 11, 2013
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Legit, Belt, Mix

These three terms, “legit”, “belt”, and “mix” are used as normal parlance on Broadway and on the West End in London. They were terms created...
January 11, 2013
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Artists

Is Ella Fitzgerald less of an artist than Bryn Terfel? Is Tony Bennett less of an artist than Thomas Hampson? Is Bernadette Peters less of...
January 10, 2013
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