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The LoVetri Institute

Somatic Voicework™ The LoVetri Method

Jeannette LoVetri

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  • Jeannette LoVetri

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Being Willing To Be Criticized

Performers have to be willing to criticized on a regular basis. We start being criticized as young students and it continues straight through until we...
February 2, 2012
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Singing Research

We have had about five decades of good research on vocal production. Most of the early research was on classical singing. More recently there has...
January 29, 2012
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The Other Place With Problems

If you study classical singing you will be taught to breathe (in any of dozens of ways), you will be taught to “vibrate something” in...
January 29, 2012
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Really Emotional Singing

Want to know what commodity is truly rare in singing these days? Emotion. Honest, simple, un-messed around with emotion. What we get is most either...
January 27, 2012
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Appropriate Compromise

If you teach in a college, or even in a middle school or high school, sooner or later, you will be faced with having to...
January 25, 2012
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"Not In Your Body"

In reading about “out of body” experiences, and I have read as much as I can on that topic, one thing that almost always shows...
January 20, 2012
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Negative Programming and Secondary Gain

If you are not conversant with psychology you may not be conversant with some of the terms used in that profession. “Secondary gain”, which has...
January 17, 2012
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Being In Touch With Your Body

What does it mean to be “in touch” with your body? If you are alive, aren’t you “in touch”? Does it mean that you can...
January 12, 2012
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What’s Best For The Profession

Ever wonder what would be best for the profession of teaching singing and for professional or professional-level amateur singers? I do all the time. What...
January 11, 2012
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All Singing Teachers Are The Same

Did you know that all singing teachers are the same? To our fellow professions, that’s how we appear. Think about it. Until you know an...
January 10, 2012
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