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The LoVetri Institute

Somatic Voicework™ The LoVetri Method

Jeannette LoVetri

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  • Jeannette LoVetri

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Natural Ability

I have written previously about talent. My definition is being able to do something very well with little effort and hardly any training. Singing is...
March 29, 2011
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The Cosmos

Think of the complexity of most human endeavors. Think of what the brain has to do to coordinate swimming, or skiing or translating freely from...
March 28, 2011
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If You Don’t Sing Well and You Don’t Know That

I have had some people come to my studio over the years with all manner of tension and distortion in their sound and vocal production...
March 26, 2011
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Head Down, Chest Up, Mix

How do you mix if you don’t “just mix”? What do you think of to get a mix? Is it lighter or brighter or both?...
March 22, 2011
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High Notes

No one gets paid for low notes unless maybe he is Amonastro or a Russian Bass. People like high notes. Over the decades the fascination...
March 18, 2011
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Why You Can’t Dabble

It’s very hard to be kinda sorta good at something and also kinda sorta good at something else. At some point, it is easier to...
March 15, 2011
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Head Register

The natural condition of head register is that it is weak, most particularly in the lowest pitches. This means that it is typically also breathy....
March 11, 2011
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Bad Choices

There is currently a new, and somewhat deadly, trend amongst teachers of singing who are open to the idea that belting is not harmful. It...
March 10, 2011
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The Purpose of Training

You can’t sing fully if your voice isn’t strong. Yelling is not a good way to develop true vocal strength. Loudness alone is not a...
March 8, 2011
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The Basics of Somatic Voicework™ The Lo Vetri Method

The basic principles of vocal function in The LoVetri Method, Somatic Voicework™ are very simple. They are: isolation, development and combination of chest and head...
February 26, 2011
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