• About WordPress
    • WordPress.org
    • Documentation
    • Learn WordPress
    • Support
    • Feedback
  • Log In
  • SSL 8
  • Skip to main content
  • Home
  • About
  • Leadership & Faculty
  • Workshops
  • Testimonials
  • Video
  • Photos
  • Directory
  • Connect

The LoVetri Institute

Somatic Voicework™ The LoVetri Method

Posts Placeholder

What Is Underneath and Behind Somatic Voicework(tm) The LoVetri Method?

May 24, 2018 By Jeannette LoVetri

Somatic Voicework™ seeks to bring the voice, the person, the emotions and the mind together. It seeks to illuminate the path of vocal artistry by conveying objective information about vocal production based on what is currently known and understood in medicine and science. It supports inter-disciplinary exchange. It is an open system. All premises are subject to improvement and personal adaptation. It honors and respects the styles of music called Contemporary Commercial and believes that all styles of music have value and worth.

Somatic Voicework™ rests on respect for the body and allows it to take its time adapting to various stimuli while new responses emerge. It works with compassion, allowing artists to face difficulties, overcome issues and recover abilities even in the face of a diagnosis of pathology or damage. It treats every singer, young or old, famous or unknown, talented or talent-not-yet-tapped, the same. It allows teachers to say, with perfect integrity, “I don’t know. Let me ask.” It recognizes posture and breathing, physical coordination and kinesthetic conditioning, aural acuity and visual feedback and asks only that singers address all aspects of singing function through reasonable, repetitive and consistent training.

Somatic Voicework™ teaches “whole people” not larynges or throats or vocal folds, not time slots (the Tuesday noon tenor, “what’s his name” or the “A# soprano with the wobbly middle voice, Something-or-other Smith”). It incorporates physical, emotional and personal stressors as being factors in living an artistic life and does not diminish singers for having to address these things while training and/or performing. It recognizes that we are not mental health professionals but we are all human beings and that life can sometimes be messy but it is always worthwhile. It teaches careful use of language and its impact on students and taking full responsibility for the learning process as the flawed but passionate people we all are.

Somatic Voicework™ is for those who want to dig deep. It is for those who are not looking for the “10 quickest tips so you can be on American Idol” or the “12 best ways to get really great high notes by next week”. It is not concerned with helping people get tenure, being smarter than people who want to squeeze the throat, position the larynx, vibrate the vocal folds on purpose or with proving that all voices should sing the same way in every circumstance.

Somatic Voicework™ is simple and complicated. It is easy to understand but takes a long time to master. It is available to anyone who wants to investigate it but can only be completely assimilated by those who use the concepts on their own voices over time in many ways. It is up to each individual how much or little the concepts in Somatic Voicework™ matter in their own lives but, as teachers, in order to be both ethical and appropriate, it is imperative that teachers know about all voices, and all musical styles, not just their own or the ones they sing.

Somatic Voicework™ is a method of vocal pedagogy that grew out of the life of Jeannette Louise LoVetri, known as Jeanie to her friends and colleagues. It is the result of decades of singing, training for singing, study, investigation, experimentation and thousand upon thousands of hours spent in voice lessons for almost 47 years. She shares the work with an open heart hoping that it will be valuable to others and perhaps help them avoid difficulty, struggle, sadness, frustration and self-doubt, all of which she had to endure to learn what is in the course. It is not presented as “the way” or “the best way” just one way. She invites you to make it your way, if that would be of use to you.

Filed Under: Articles, Various Posts

Maria Damore demonstrates a variety of vocal styles

May 23, 2018 By svwadmin

Vocalist Maria Damore demonstrates her ability to sing in a variety of vocal styles in this compilation of Kurt Weill songs from her 2016 concert in Reading, PA. She is accompanied by Lars Potteiger. Song clips include Pirate Jenny, My Ship, Speak Low, Youkali, Lost in the Stars, and, Mack the Knife. Maria has studied Somatic Voicework: The LoVetri Method TM, Levels I, II, and III, and teaches voice using these principles in her home studio.

Maria Damore, Vocalist, Actor, Voice Teacher
www.mariadamore.com

Maria Damore Voice Studio: www.mariadamore.com/voice_studio
You Tube Channel: https://www.youtube.com/channel/UCpcXGRfXTfdzRljuK7gmAoQ
Facebook: https://www.facebook.com/Maria-Damore-37902242591/

CD “Moonglow” available at:
http://www.mariadamore.com/moonglow_cd

Filed Under: Articles, Various Posts

A Vocal Wish List

May 23, 2018 By svwadmin

By Jennifer Spencer

I have many students from many different backgrounds that enter my classroom, studio, and rehearsal hall on a daily basis, and every time they do, I am reminded of what an incredible gift I have been given, and how I must be vigilant not to abuse this gift or diminish what they bring in each and every day. Each and every voice I come into contact with needs to be valued for the person that inhabits it, regardless of their sex, sexual orientation, race, marital or family status, gender identity or expression, sex characteristics, creed, age, colour, disability, political or religious belief. (The italicized text, which I freely admit to plagiarizing, comes from the welcome that is outside Canada House at the Olympics.)
My job is to make sure that each and every student leaves with a flexible instrument, body, and voice, able to make responsive vocal/physical choices that will allow them to operate in the world in a healthful way for the duration of their lives, after all, they are going to be persons operating in the world for a lot longer than they are being artists on the stage, in movies, or on TV.   Their voices and bodies need to work well and freely, not just on the stage, but also in their lives.

I want the students I work with to stand tall, balanced, and easy when they leave my classes and go into their lives. I want them to be able to use their voices in a healthy way from a physiologically truthful place, that allows them to go easily from speaking to singing with all other stops in between, and have voices/bodies that respond freely to a variety of life and artistic situations.

I want to provide them with experiences where they realize that they do not have to clench every muscle in their bodies to produce a spoken or sung sound or simply to inhale and exhale. I want to provide them with experiences where they realize their tongues do not have to be balls of cement sucked up to the roofs of their mouths, rendering them incapable of articulating their wants, wishes, and desires. I want to give them the experience of not having to clench their jaws as they move through their lives, and squeeze their voices and thoughts out as if those thoughts and ideas were the last scraps of dried toothpaste in a tube that one must use or else. [Read more…] about A Vocal Wish List

Filed Under: Articles

Celebrations!

May 18, 2018 By svwadmin

 

Leischen Moore

Leischen will be performing the role of Eliza Doolittle in Tacoma Musical Playhouse’s “My Fair Lady” from May 18th to June 10th. For tickets and more information, click here.
Leischen will also be Associate Faculty at this summer’s LoVetri Institute for Somatic Voicework™.
(photographed left: Leischen Moore in rehearsals for “My Fair Lady)

 

Dr. Melissa Forbes‘ article, “A Tale of Two Pedagogues: A Cross Continental Conversation on CCM” from The Journal of Voice May/June 2018 pages 579-584 featuring Jeanie LoVetri.

Elise Besler

Vocal Warrior Voice Retreats!

     These luxury long weekend retreats are providing a creative space for adult vocalists and singer songwriters both professional and semi-professional; to inspire/be inspired and lean into creativity, gain vocal health knowledge and performance experience and most excitingly, build community through mutual love of singing and performance. Though I am starting locally at a beautiful rural retreat center, my intention is to offer these retreats in destination locations around the world! (I mean, who doesn’t want to sing in The Caribbean??!!)

For more details about Elise’s teaching, NuSong Studio: Click Here.
For more details about Voice Warrior Retreats, NuSong Retreats: Click Here.

Maite Solana

Maite Solana has just released her second single and music video from her album Vuelvo a Casa.
Please check out the music video by clicking here. 

Heather Keens

Heather Keens’ The ‘Oyster Singers’ is a new community Choir based in Brooklyn, New South Wales, Australia. We are a small community of 750 people, the original industry here was oyster fishing. In the photograph you will see our original nine members from February 2018. We now have twenty members and counting. Most of our warm-up activities are based on Somatic Voicework. They are a delightful group of people who make a good sound. Heather Keens conducts and leads the choir and her husband, Frank, accompanies on the piano and makes arrangements of the songs.
Last term we found repertoire around the topics of fish and water, including Hoagy Carmichael’s ‘Some Days there just ain’t no Fish’. Brooklyn, NSW and our nearest island ‘Long Island’ was named in 1886, when a New York, USA steel company came out to build the railway bridges here. Many of the workers were Americans, who lived in the area until the bridges were finished.

Betsy Fiedler

Betsy’s Upcoming Performances:
GWO Don Giovanni June 9, 16, 22, 24
For details, go to http://www.greaterworcesteropera.org/events.html
Italian Night – Spaghetti Supper and Italian Music with members of Greater Gardner Community Choir

Saturday June 23, 2018 at Bethany Baptist Church Gardner, MA
Greater Worcester Opera Concert Series: Contemporary Broadway July 18, 2018 at Briarwood in Worcester MA.

Senior Faculty for The LoVetri Institute for Somatic VoiceworkTM in Residence
at Baldwin Wallace University, Berea, Ohio July 21-29, 2018
https://www.bw.edu/community-music-school/summer/lovetri-institute/

Filed Under: Various Posts

Kids on Broadway!

April 12, 2018 By svwadmin

Jeanie has been working with Zachary Zwelling from Broadway’s School of Rock.  This photo was from his first lesson with Jeanie. To check out more from Zachary, click here.

Filed Under: Articles

Latest Publications featuring Somatic Voicework™

April 12, 2018 By svwadmin

      “A Spectrum of Voices“ written by Dr. Elizabeth Blades of Shenandoah University, published by Rowman & Littlefield, contains interviews with prominent voice teachers including Jeanie.

“So You Want To Sing CCM (Contemporary Commercial Music): A Guide for Performers” by compiled by Dr. Matt Hoch, of Auburn University, also published by Rowman & Littlefield. Dr. Hoch is a Somatic Voicework™ graduate. The book presents a compendium of approaches to CCM with an emphasis on vocal technique and function. Somatic Voicework™ is presented within.
Volume 11 of the Voice and Speech Review compiled by VASTA, published by Routledge. The book contains a chapter on Somatic Voicework™ entitled “Vocal Traditions: Somatic Voicework™ The LoVetri Method” written by Dr. Andrew White, Professor at the University of Nebraska. Dr. White has been a faculty on our Somatic Voicework™ training program.
Jeanie thinks the following books are inspiring and would like to announce that our SVW colleague here in NYC, Eve Zanni, has just released these publications which can be found on Amazon. The first is entitled “Jazz Superhero — Billie Holiday: Lady Day.” The biography is full of lovely illustrations and suggestions for listening from the web. The second volume is on “Lester Young — Prez.” Eve says they are for soulful kids and hip grown-ups. If you have students who would like to know more about these “jazz heroes” please check out these publications.

Filed Under: Articles

Spotlight on Michelle Rosen

April 12, 2018 By svwadmin

You are a very busy voice teacher in New York City; can you tell us about your studio in Brooklyn and your work at NYU?
     My private studio is very diverse. Of course I have the usual high school students who want better roles in their school productions, many of whom go on to college vocal performance or musical theatre programs. I have some professional working actors who are constantly auditioning and then getting booked, leaving glorious holes in my schedule! Each student presents unique challenges and I’m very grateful that Somatic Voicework™ has given me a template to meet them where they are and help them.
At NYU Tisch where I teach musical theatre majors at the New Studio on Broadway, I have weekly lessons with some of the most talented, passionate, creative and motivated students I’ve ever known. They still need solid vocal technique and development, though, so that’s where I come in. They have repertoire classes covering EVERY kind of music – not just MT – so we are on the cutting edge of training for the current profession. They are expected to sing jazz, blues, different eras of pop and rock and folk as well as legit MT and belt. Not to mention dance their tushes off and acting training.

As a seasoned performer, having worked professionally in Musical Theatre in New York City, on national tours, internationally, etc., what do you think the important keys to success emerging artists must consider before embarking on a career?
If you listen to musical theatre singers of the past, they had very unique and recognizable voices. They may not have had technically perfect instruments or in some cases any vocal training, but they could inhabit a song, some quite beautifully. I worry about the graduates of all the hundreds of musical theatre programs across the country now. They may sing well, but in this highly competitive market, what is individual and special about them that will make them stand out? They are all beginning to sound the same – are we training the individuality right out of them?
The other thing MT performers need to know is: acting first. Unless you are an astonishing dancer or a good dancer who’s content to stay in the ensemble, what performers on Broadway have always been and continue to be are actors first and foremost. If you’re being sent in for an agent submission or going to an Equity call, they just ASSUME you can sing (and you’d better be able to!), but they are looking beyond that for strong acting and personalization of the work you bring in. [Read more…] about Spotlight on Michelle Rosen

Filed Under: Articles

Exciting New Chapters!

April 12, 2018 By svwadmin

We are rolling closer to our LoVetri Institute for Somatic Voicework™ at Baldwin Wallace University in the Community Music School in Berea, Ohio, this July. Registrations continue coming in each day. Don’t wait until last minute to reserve a spot as last year we were full! Our large roster of professionals who are at the very top of their professions are being brought in from around the globe to the Institute. We would also like to issue a friendly reminder that reviewers receive a 50% discount on any level they wish to revisit. 
(Photographed Above: Jeanie LoVetri & Broadway Musical Director Thomas Murray)
(Photographed Below: Dr. Claudio Milstein with patient)

Where else could you see a Broadway music director, a nationally recognized Gospel, R&B and jazz expert master class, a three-hour medical lecture and a vocal health presentation aimed at singers and teachers, and find colleagues who are open-hearted, fun, interesting and dynamic? Come join a room full of “voice geeks”. What could be better? Participants loved the first Institute in our new home at Baldwin Wallace in the Community Music School. We enthusiastically encourage you to come be part of the scientific, performance, medical, musical, and personal party that is the LoVetri Institute for Somatic Voicework™.  And, for the first time, just for graduates of Level III, world-renowned voice expert, Dr. Claudio Milstein, of the internationally recognized Cleveland Clinic, will be offering a two-day intensive on vocal health on July 27th & 28th. To register for The LoVetri Institute for Somatic Voicework™ and/or Dr. Milstein’s Workshop, please click here.

Announcement has just been made of the new LoVetri Institute for Somatic Voicework™ in Toowoomba, Australia, in the Artsworx program of University of Southern Queensland, in January 2019. All three levels will be offered and reviewers are welcome.  For more information please contact Dr. Melissa Forbes.
Jeanie is also expecting to return to Brazil in January 2020, as her work there with 80 people was very successful and the brilliant Brazilians have invited her to return. More details will follow as they are established in coming months.
     The Jeanie LoVetri Show: Our Vocal Universe is now available on YouTube. Please click here to check out The Jeanie LoVetri Show: Our Vocal Universe. More shows will be forthcoming in the next few months. Take a look for the three episodes featuring interviews with a jazz vocalist, a choral conductor/singing teacher, and a teacher of theatrical speech for actors. All very interesting people with great insights to share.

Filed Under: Articles

Jeanie in the Greenwich Time

March 24, 2018 By svwadmin

Filed Under: Articles

First Teacher’s Course in Israel based on SVW principles

March 24, 2018 By svwadmin

My name is Moran Cohen Talmor, and I am from Israel. I am a vocalist and songwriter, and I have been teaching voice for 11 years. In my 39 years of life, I have practiced martial arts, hydrotherapy, Rei-ki, Qui-gong, Alexander technique, and swimming. And so, it is only natural that I have always been interested in voice production approaches that are based on bodywork. My life was changed five years ago when I had the privilege to meet Ms. Jeanie LoVetri. I took her SVW™ courses levels 1, 2 and 3, and since then have become 100% a SVW™ teacher. In the following years, Jeanie has been a mentor, and a professional as much as a spiritual inspiration to me. I try my best to come to America every year to deepen my understanding of her work.
After practicing Jeanie`s method for 5 years, and daily witnessing the powerful impact it has on people`s voices, I felt a deep calling to step up to the next level, and start creating voice pedagogy in Israel that is based on the LoVetri Method.

Jeanie was of course incredibly supportive. She spent so much time and effort guiding me both before and throughout the process, asking me all the right questions, and giving profoundly detailed answers to mine. I wasn`t alone in this, and so, my first 3 months journey as the leader of a “teacher`s course” has begun. [Read more…] about First Teacher’s Course in Israel based on SVW principles

Filed Under: Articles

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 4
  • Page 5
  • Page 6
  • Page 7
  • Page 8
  • Interim pages omitted …
  • Page 92
  • Go to Next Page »

Copyright © 2025 · Somatic Voicework· Log in

Change Location
Find awesome listings near you!