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The LoVetri Institute

Somatic Voicework™ The LoVetri Method

Jeannette LoVetri

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  • Jeannette LoVetri

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Immersion or Osmosis

One way to learn something is to be completely immersed in it. Many years ago I took some jazz lessons with a pianist. Having no...
November 3, 2010
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Concentration

In order to develop as an artist, you must be able to direct your concentration to a single point of focus. You must learn to...
November 3, 2010
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Life Upon The Wicked Stage

It’s frequently true that young people do not understand what the word “professional” means. One of my many jobs as a teacher is to tell...
October 25, 2010
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Talent

A lot has been written about talent. Everyone’s take on talent is unique. Talent is this or that or the other, but no one can...
October 15, 2010
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The Meaning of Meaning

I have long been fascinated with the way our minds work. How we think, how we perceive through the balance of mental and physical interaction,...
October 12, 2010
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Functional versus Pedagogical versus "Making It Up"

We need to clarify the difference between terms that are used in various parts of the professions that deal with voice. These are my “takes”...
October 9, 2010
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Fixing Things Or Not

It’s possible to fix a broken voice. It’s possible to fix one that is pretty skewed. It’s possible to fix one that’s just a little...
October 7, 2010
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More About Being Deliberate

Volitional movement is a hot topic for me. If teachers of singing really understood what can and cannot be felt, moved and adjusted, life for...
October 1, 2010
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Too much, Too soon

Rarely have I heard a singing teacher say to a student, you are making too much sound, if the sound itself was pleasing and the...
September 30, 2010
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Too Relaxed

We all know that being “relaxed” when we sing is good. But what, exactly, is relaxed? Relaxed to a jazz singer is certainly not the...
September 28, 2010
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